|905 - The Deadly Bees|
|Air Date||May 9, 1998|
|Movie Director||Freddie Francis|
|Cast||Suzanna Leigh, Guy Doleman, Frank Finlay|
|Preceded by||904 - Werewolf|
|Followed by||906 - The Space Children|
Yet another plodding British movie with depressing sets, joyless actors, minimal emotion, and just enough action to keep you from thinking that you've spent an hour staring at a painting. But just.
Overextended pop singer Vicki Robbins (Suzanna Leigh) collapses from exhaustion (and perhaps, heat stroke) while lip-syncing a tune during a music television show, and her physician (actor Michael Gwynn, whom sharp-eyed viewers will recognize as Lord Melbury from that one episode of Fawlty Towers) inflicts a visit to Seagull Island on her.
She arrives on the island and promptly ends up in the classic and most British of scenarios: There's murder most foul. There's a bad guy who's just a little too good, and a good guy who's just a little too bad. And, of course, she's the ingenue caught in the middle of it all. Phones are on the fritz, people are stranded, and well, it just sort of goes on from there in typical "Dark and Stormy Night" fashion.
Suffice to say the ending is hopelessly obvious about five minutes after Vicki arrives.
Stylistically, this movie treats color as though it were a shameful, dirty thing (alas, the passage of time is often unkind to the pigments used in color processing), and the sad assortment of studio odds and ends that form the sets reek of Bengay, dry rot, and mothballs. Apparently none of the sets collapsed during filming, but with some of them it's really hard to tell.
Perhaps this 1966 film was an attempt to leverage the commercial success of the theme ("When animals attack!") and technology (the less expensive parts) introduced in Alfred Hitchcock's 1963 The Birds. The tradition is carried on even today by such chillling productions as Birdemic. Sola pana!
- The guitarist on the far right in the band at the beginning of the movie is a pre-Faces, pre-Rolling Stones Ron Wood.
- The male leads were written for Christopher Lee and Boris Karloff.
- Prologue Mike Tom and Crow quickly go through a montage of disjointed melodramatic scenes reminiscent of of various cop dramas, soap operas and hospital dramas.
- Segment 1 Mike and Servo quickly explain they were just doing the previous segment for fun. Bobo and Brain Guy are watching Daytime television and eating chili dogs. Two observers (Mike Nelson and Paul Chaplin) teleport into Castle Forrester and try to retrieve Brain Guy so he can help them rebuild their planet.
- Segment 2 Crow is enamored by the cigarette-addicted old hag from the movie and writes her a love sonnet.
- Segment 3 Tom tries raising a hive of wood ticks. Meanwhile Brain Guy is packing for his departure from Earth. In a Rodgers an Hammerstein style musical number he sings about leaving. Bobo and Pearl join in the song and convince him to stay with their lyrics.
- Segment 4 Crow has misplaced his "Just For Men" hair dye. Mike decides to dress as a bee and communicate using bee's body movements. Using bee wiggles he easily conveys a number of complex ideas to Tom but fails to resolve Crow's Just For Men problem.
- Closing Segment Mike, Crow and Servo agree that bees should be in every single movie and they're visited by the mysterious silent man in the bowler hat (Jim Mallon). In Castle Forrester the observers are having a psychic battle. Bobo distracts one of them with Chili dogs long enough for Brain Guy to steal his brain dish. The remaining observer challenges Brain Guy to a final battle of mental powers. This battle is cut short when Brain guy kicks him in the knee and snatches his brain dish away too. Stripped of their brains Brain Guy condemns the two observers to live out the rest of their lives in Wisconsin as raging Packers fans. The man in the bowler hat makes a final appearance.
- Stinger: "The dog's meat, have you seen it?"
- "I'm off to become Lulu."
Lulu was a British pop star of the late sixties and also had a role in the classic 1967 Sidney Poitier vehicle "To Sir With Love".
- "Hat from the Norman Fell line."
Actor Norman Fell played the put-upon spouse of a sex-starved wife in the Three's Company sitcom spinoff The Ropers sometime late in the last millenium.
- "Lord Melbury!"
- Manfred: "My name is Manfred."
Crow: "You've heard of my Earth Band?"
Reference to British prog group, Manfred Mann's Earth Band, famous for their version of Bruce Springsteen's "Blinded by the Light."
- "It's the guy from the Magritte painting!"
- "They're growing Bill the Cat!"
- "Breathe deep the gathering gloom, watchlights fade from every room."
The poem read during the Moody Blues' "Nights in White Satin," inspired by the tinkling music played during that scene, similar to that of the song.
- "Those chickens must be scared Ozzy Osbourne is going to get them"
Refers to the British heavy metal singer who gained notoriety for biting the head off a dove in 1981. Another Osbourne reference was made in It Lives by Night, only referencing the 1982 incident involving Osbourne biting the head off a bat.
- "One of Elizabeth Kübler-Ross's stages of grief: heavy smoking."
- "Giddy-up, giddy-up, giddy-up, let's go..."
Lyrics from the Christmas carol "Sleigh Ride."
- "She's headed right for the Honeycomb Hideout..."
Honeycomb cereal commercials during the '70s and '80s featured a children's clubhouse (located in the woods) called the Honeycomb Hideout, where new visitors would be introduced to the cereal.
Beez McKeever is credited as "Deadly Beez McKeever".
|preceded by: Season 8||MST3K Season 9||followed by: Season 10|
|901||The Projected Man||1998-03-14||906||The Space Children||1998-06-13||911||Devil Fish||1998-08-15|
|902||The Phantom Planet||1998-03-21||907||Hobgoblins||1998-06-27||912||The Screaming Skull||1998-08-29|
|903||The Pumaman||1998-04-04||908||The Touch of Satan||1998-07-11||913||Quest of the Delta Knights||1998-09-26|
|905||The Deadly Bees||1998-05-09||910||The Final Sacrifice||1998-07-25|